"The Takeaway" - An opportunity for great news coverage for a new audience
The most enlightening segment of Monday morning’s (June 9) “The Takeaway”
http://www.thetakeaway.org/
– the hip new public radio morning show - was Brooke Gladstone’s eye witness analysis of the media restrictions in China.
These days, professional reporters in foreign fields are at a premium, as illustrated anew by this government-augmented natural disaster and the one in Myanmar.
But economics and consumer-driven news, not political tyranny, are the main reasons why the world hasn’t shrunk as the network news organizations would have us believe, despite huge technological advances over the past two decades. Their nightly smoke, mirrors and glitzy graphics conceal an increasing dependence on pooled or shared pictures or sound, and agency narratives.
When I was a traveling producer for the BBC in the early 1990’s, I frequently had the pick of the best freelance camera crews, since my organization was alone in refusing to slash its foreign representation. The American networks were scaling back on reporters, crews, and local support staff, never to return with a permanent presence to places where history was being made.
I’m hoping “The Takeaway”, a venerable partnership of the nation’s leading public station, WNYC Radio, and Public Radio International, in collaboration with The BBC World Service, New York Times Radio and WGBH Boston, can buck the trend as NPR – its principal rival – has done.
Full disclosure – I used to work as Managing Editor for News at WNYC, and we oftentimes discussed the need for a different kind of radio morning show.
“The Takeaway” is meant to be faster-paced, more direct, and less esoteric than NPR’s long-running Morning Edition, and features the talented and credentialed John Hockenberry and Adora Udoji as well-matched hosts.
It also embraces citizen journalism, and has all the 2.0 badges of honor – blogs, interactivity with listeners and telephone airings of their recorded thoughts on the day’s events.
But the segment on the Chinese media was the only example of first-hand, professional eye-witness reporting in the one hour show. There were script-only news “summaries” aplenty, a phone conversation with an economics pundit and a union representative, and a chat with a sports reporter about horse-doping. In the second half of the hour, the program bravely makes accessible many of the obvious and popular subjects public radio has traditionally either thumbed its nose at, or over-intellectualized and covered badly - movies, weather, and sports.
But clearly the “pilot” phase had placed most emphasis on the usual buzz-topics which bedevil the demographically paranoid contemporary gurus of public radio: reaching younger and more ethnically diverse listeners, “chemistry” or banter between hosts, “water-cooler” topic selection, and “intellectually compelling” studio conversation. These days, the need for a news-gathering structure of high quality reporters in the right places at the right times, rarely receives such attention.
Focus-grouped listeners too often turn to their own individual realities when asked what they want to hear, thus excluding what might be surprising, galvanizing, collectively important, or innovative.
And as a veteran producer and host of overnight TV and radio news programs, I know how hard it is to produce a morning show of news merit, especially on a Monday when the news cycle is still recovering from its weekend hangover. You have to work all night and then perform in the early morning when you’re physically and mentally at your worst.
Big newsgathering organizations like the BBC have reporters in the field who are required to file for multiple TV and Radio programs, in addition to the web, so requests from abroad for the following morning’s programs might often be the ones which fall by the wayside. And presumably the New York Times reporters’ first responsibilities are to the New York Times and its website.
The Takeaway needs a deeper on-air editorial commitment from its partners, if that is possible. It also needs to reach out to public radio and international newsgathering organizations, to take it to where the news is happening.
With a change in priorities to emphasize substantive original journalism over style and presentation, “The Takeaway” is an opportunity to buck the trend by putting location broadcast reporting, good writing, and fascinating new information at the top of the agenda. And to help restore American broadcasting’s historic reputation for great international reporting.
It is early days and I’ll keep on listening. But Brooke aside, there’s not much takeaway just yet.
Mark McDonald
Program Director WAMU
Tags: http://www.thetakeaway.org/
Share
You need to be a member of The Conversation to add comments!
Join this network